- Capture one pro 12 color balance 自由

Wednesday, October 26, 2022

- Capture one pro 12 color balance 自由

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- How to Find the Perfect Color Grade?

Так здорово, - мы не октопауки. Разложив их на большом столе, чтобы мы могли увидеть изображение, мы с тобой еще. - Никаких признаков узнавания не последовало.

Capture one pro 12 color balance 自由.

This wheel is great to establish your base look. I find it more organic to push the colors in a general direction with the Master Wheel and then mix things up with the 3-Way Wheels. The same principles explained above apply here, except that you now have individual controls for the shadows, midtones and highlights.

And you are now able to adjust the brightness with each wheels. Whether you are looking for an extreme bold look, or just a subtle color adjustment, this is where the magic happens.

Fool around with the controls if you want to experiment weird looks or apply your color theory knowledge! Before I start playing around with the Color Balance Tool, I always try to get the best dynamic range possible and also sharpen the picture.

This article is focusing the color tools of Capture One 9, but I think it is essential to start grading your pictures with a decent base look.

This is process is similar to what I do when I grade videos such as commercials and music videos. You can of course come back later on and tweak the exposure a bit if you wish. This will obviously vary depending on your original image and on your taste. Hopefully, it will you a hint as to how I generally start my looks! In the following examples, I will compare the base look not the original picture and the graded image. That way, you guys will be able to see what the Color Balance Tool brings to your image more easily.

Just drag the slider to compare the two images. As you can see, the possibilities are infinite. From a colorist standpoint, these tools are crucial to experiment and push my looks to the next level. Just like Lightroom, Capture One 9 has a split toning tool to craft nice sepia looks.

In order to achieve a commercial, clean look and include some achromatic images, I picked a neutral background color. The colors of the skin tone should be healthy-looking and consistent within the set.

One important tip that is often ignored or undervalued is that the other colors then need to be muted or neutralized. The accented analogic color scheme is a combination of the analogous and complementary color schemes which are described further down this blog post. I then moved onto some smaller and more precise corrections, as you can see below. As you can see, the majority of my adjustments so far are achieved by using the Advanced Color Editor. By saturating the magenta tones, I was able to put more focus on the skirt.

I also adjusted the blue to a greener tone. Next, I neutralized the light purple to grey followed by desaturating unwanted yellow tones. To finish off, I darkened the orange tones of the skirt for some balance before using the Skin Tone adjustments to even out color shifts in the skin.

Final Result after some minor corrections in Photoshop. Complementary colors are when two kinds of colored light yield white when mixed with each other. If we isolate one hue from the prismatic spectrum, for example green, and collect the remaining colors — red, orange, yellow, blue, violet — with a lens, the mixed color obtained will be red, i.

the complementary color of green we isolated. The color scheme was built from this physical principle. The complementary color scheme involves the use of opposite colors on the color wheel. One of these colors should be more dominant. For a more efficient workflow, I can synchronize the accented analogous color scheme from before and adjust the green tones. This color scheme involves only one hue and is based on varying luminosity and saturation values of a certain hue.

In warm-neutral compositions, warm colors and neutral ones are mixed. After synchronizing and erasing unnecessary changes, I slightly adjusted the red hues and the saturation of the oranges. I also brightened the model in image right image on a separate layer using the new luminosity masking feature I ignored the background highlights to achieve equal brightness in all the images. In achromatic compositions, images are composed with black, gray and white tones or contain colors with very low saturation values.

The luminosity values can be influenced in the final black and white image by adjusting the colors in the Color Editor. I usually turn off the automatic sharpening in Capture One Pro.

Even though the tool is highly advanced, it can cause more work for me in Photoshop, for example with peach fuzz. Therefore, my final step in Capture One Pro is to add partial sharpening on a separate layer in model images if necessary. The white balance in this series was set correctly and consistent and therefore no adjustments were necessary.

The only adjustments necessary were some changes to brightness and exposure. To finish the process, I added some individual contrast using curves in Capture One Pro.

With different collections of preset adjustments, applying Capture One Styles to your images can help speed up your workflow and let you try different looks. Always check and compare or use the pre-created Styles to push your creativity and help you find the right color schemes. Of course, this is not a typical set for a highly creative color grading where mid tones, highlights and shadows are used for supporting color schemes split toning.

Color grading in photography is the creative play with colors to achieve a tone and mood that matches your intention for a particular shot. Much has been discussed in terms of color grading using Photoshop, but in this post, I wanted to show you how to achieve amazing color grades directly in your RAW editing workflow using Capture One. The main benefit of changing the colors directly on your RAW images is that you have the most amount of color information and can do the most amount of changes without losing quality.

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Wednesday, October 26, 2022